CMelodyMan
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How many mpcs do you own?How many mpcs do you own?
I own :
Tenor
Jumbo Java (T95?)
Alto
Selmer S90{for classical playing]
Rousseau Jazz Model 5[for jazz/rock]
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JPSaxMan
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I own:
Alto:
Conn Precision
Tenor:
Selmer S80 C*
Dukoff D7
Clarinet:
Selmer Goldentone 3 (swipped out of a bucket of old used mouthpieces in our bandroom  )
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JPSaxMan
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CMel,
Is your Rousseau a HR or Metal? J/W 
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Louis Scuderi
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I own five mouthpieces-
2 Stock Yamaha 4C (1 alto/1 tenor)
1 Vito stock clarinet mpc (started clarinet three weeks ago)
1 Meyer 6M Tenor
1 Meyer 5M Alto
Cheers,
CR
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Bariman
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Just two for me, both baritone: A Bamber Jazz HR, and a Link HR. The link is my usual gig piece.
Bariman
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altosaxgeek5
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Just two for me, as well: an opened up 4C, and a Selmer Scroll Shank C*.
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saxmaniac
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Too many to name.
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reisio
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Selmer S80
Selmer C** old metal
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Tully
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Soprano:
Runyon Custom 7
Vandoren S15
Alto:
Runyon Custom 7
Barone New York 7M
Meyer 7M small chamber
Rousseau NC5
Tenor:
Vandoren T97 Jumbo Java (the blue kind)
Tenney-blueprinted Link Tone Edge 7
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CMelodyMan
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I play on a Rousseau JDX 5, great mpc. Nice, bright, and pretty powerful. It can also play softer for blues, ballads. And it's cheap! :smile:
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JazZz
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Alto:
Bundy Stock Mpc
Selmer C*
Otto Link "Tone Edge Ebbonated Rubber" 5c
Tenor:
Yamaha YAC-1291 4C
On Order: Jumbo Java
Soprano:
Store Brand Mpc
I want to get a metal mpc for my alto and soprano though! I need to get up to the store to toy around with them 
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Tonehole
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It is not how many you have that is important, it is how many you play. I have so many pieces I am not interested in counting. Been contemplating opening a Mouthpiece site to list and sell them. I started small and when ever I sold a piece I used all the proceeds to buy more even if I was not interested in playing them.
Case in point, for tenor sax off the top of my head I have .. 2 slant link 7*, 1 Tenney slant 7*, 2 early Babbit 7*, 2 Current production Link Hr 7*, 1 Vintage 50's Metal 7* NY Link, 1 Link Millinium 7*,1 NY current STM, 2 older STM 7*, 1 STM 8, 1 Guardala Hand made Post Bop, 1 Guardala HM Studio, 1 Lawton 7* P finished by JVW, 2 Lawton 8P, 1 Lawton 7*B, 1 Lawton 7* Icon, 2 Brilhart 7* hard rubber, 1 Brlhart 7L Personaline, 1 Brilhart 6 Steamline, Brilhart Specialist refaced 7*,1 Selmer Airflow E, 1 Selmer Johnson, 1 Freddie Gregory 7** Mark IV hr, 1 Sugal JB1 7*, 1 Sugal Super Gonz 7*, 2 LeBayle 7* wood, 1 LeBayle rubber Jazz 6 & 7, Vintage Berg long table slant signature 110 / M/0, 110/M/1, 110/M/2, 110/M/3, 1 Jody Jazz Hr 7*, Couf Hr 7*,8, Sumner Vintage 7*, 4 Gregory's, 1 Beechler 7* vintage black dot in triangle bite plate, Morgan 8L, 8EL, 8M ... list goes on but I would have to look in the drawers and the pieces are smaller tips and not as rare. Same for alto, Bb and Bass clarinet not as many for soprano and bari but more then a few, and have owned just about any piece you care to mention... no Lamberson's but I have played them.
Point is I play one Slant 7* but man can I compare pieces.
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altosax4ever
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WellI play on a yamaha stock for the 23, and a meyer and C* for the Selmer.
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Jacob
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Tenor: 4 (1 plastic, 2 hard rubber, 1 metal)
Alto: 3 (2 hard rubber, 1 metal)
Soprano: 1 (plastic)
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