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Improv tips
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musicalprodigy



Joined: 03 Aug 2005
Posts: 119

PostPosted: Thu Aug 11, 2005 8:56 am    Post subject: Improv tips Reply with quote

could any 1 tell me how to start really getting good at improvisation?
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JPSaxMan
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Joined: 08 Jun 2005
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PostPosted: Thu Aug 11, 2005 9:29 am    Post subject: Reply with quote

Also learn your 12 major scales, the pentatonics of those scales, and learn the blues scales. That will help quite a bit Mr. Green
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CMelodyMan
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PostPosted: Thu Aug 11, 2005 9:38 am    Post subject: Reply with quote

Yeahm that'll help too. Now if you're going to learn the blues and pentatonic scales, you only have to learn one or the other, because they're the same thing.
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darby dylan



Joined: 30 Jul 2005
Posts: 63

PostPosted: Fri Aug 12, 2005 4:21 am    Post subject: Reply with quote

you can learn verry well with jamey aebersold.
one thing who is great is listen a lot and sing with the cd to get some sort of a structure in your head
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JPSaxMan
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PostPosted: Fri Aug 12, 2005 9:35 am    Post subject: Reply with quote

CMel,

Pentatonic scales and blues scales are NOT the same thing

In a pentatonic scale, you have 1-2-3-5-6-1...the scales lack the fourth and the seventh of each scale.

The blues scales are 1-b3-4-b7-1...they're different, so you need to learn BOTH for different settings to improvise with

Cool
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CMelodyMan
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PostPosted: Fri Aug 12, 2005 4:12 pm    Post subject: Reply with quote

Alright, let me rephrase this . If you learn all of the blues scales, then you don't need to learn any pentatonic scales!
Just as long as you know which pairs of scales contain the same notes as each other; you only need to learn one set of scales (either the blues scales or the pentatonic scales).
For example:The C blues scale contains the same notes as the Eb pentatonic scale.
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JPSaxMan
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PostPosted: Fri Aug 12, 2005 5:03 pm    Post subject: Reply with quote

CMel,

How is this possible when the blues scales lack the second, sixth, and a few other notes and the third and seventh are flatted? No...they're not the same in any comparison Evil or Very Mad
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CMelodyMan
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PostPosted: Sat Aug 13, 2005 6:05 am    Post subject: Reply with quote

I'm probably the last person on Earth to talk about music theory and all that stuff, but it all checks out. For example: C Blues-C Eb F (F#) G Bb, Eb Pentatonic-Eb F (F#) G Bb C They contain the same notes,.
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JPSaxMan
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PostPosted: Sat Aug 13, 2005 8:49 am    Post subject: Reply with quote

They might contain the same notes but that doesn't make them the same thing

ie:
G Pentatonic, G, A, B, D, E
C Pentatonic, C, D, E, G, A

Ok so they're not identical, but they contain most of the same notes. Does it make them the same thing? No...but do me a favor and spell out your theory like I just did so I can see what you're talking about Confused??:...because now I'm curious.
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JPSaxMan
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PostPosted: Sat Aug 13, 2005 8:50 am    Post subject: Reply with quote

Ok CMel, I see what you're saying.

They might be the same thing note wise, but you must use each of them in a different key and setting. If you're in Eb, you can't use the C blues scale to compensate...or even if you could it depends on the nature Confused??:

I'm going to have to talk to my instructor about this Confused??:
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reisio



Joined: 05 Oct 2005
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PostPosted: Wed Oct 05, 2005 9:58 pm    Post subject: Reply with quote

Just play - literally - play around, be inventive. You don't need a sax, either, you can just scat.
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Jacob
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PostPosted: Mon Oct 24, 2005 7:12 pm    Post subject: Reply with quote

reisio wrote:
Just play - literally - play around, be inventive. You don't need a sax, either, you can just scat.


Yep.

If all you do is sit around shedding scales and chords, that is what your solos will sound like. To be an interesting improviser, you need to be creative. To be creative you need to experiment, PLAY your horn, noodle around. It's not wrong to do that. However, you want to balance the noodling/group playing with the shedding.

And don't just listen to saxophonists; listen to trumpeters (like Miles), guitarists, trombonists, pianists, etc... as well. Even though it isn't your instrument, it is still improvisation, which is universal. I've learned more about how to swing from pianists than from saxophonists -- really. Guys like Ellis Marsalis, Hank Jones, and Kenny Barron are a couple of the hardest swinging pianists out there (and all 3 are still alive today and playing!).
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PostPosted: Sat Nov 19, 2005 6:14 pm    Post subject: Reply with quote

It's 1-b3-4-b5-5-b7-1


JPSaxMan wrote:
CMel,

Pentatonic scales and blues scales are NOT the same thing

In a pentatonic scale, you have 1-2-3-5-6-1...the scales lack the fourth and the seventh of each scale.

The blues scales are 1-b3-4-b7-1...they're different, so you need to learn BOTH for different settings to improvise with

Cool
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