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Circle of 5's
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Tully



Joined: 11 Sep 2005
Posts: 170
Location: Woodinville, WA

PostPosted: Fri Oct 21, 2005 9:23 pm    Post subject: Reply with quote

Going off of what Jacob said, I know way too many people who can recite the circle, but can't play all the scales. The knowledge is no good if you can't apply it, right? So don't just memorize, like I see a lot of folks do--you've got to learn the scales themselves, not just their names (although I suppose names are a starting point). The idea is to get to the point at which someone can name any scale and you can play it right away, without having to think about how many flats/sharps are in the key signature. If someone tells me to play a Gb scale, I don't think, "Bb, Eb, Ab, Db, Gb, Cb," because I know the feel of the scale, if you will It's really about building up muscle memory until it's on a subconscious level. One other mistake I've seen frequently: don't stop learning scales after the 12 major ones! From there, it's easy to derive the other six modes (Dorian and Mixolydian being the most often-used in jazz and thus the most urgent ones with which to acquiant yourself), and don't forget all three types of minor (really, only two others, since natural minor is Aeolian mode), whole tone, diminished, etc.

Also, try to get comfortable with playing them over the full range of your horn (however high that may be). And one more thing: practice what I've heard referred to as "flexible scales," i.e. going up and down at various point, not just the top and bottom notes. You can do lots of other stuff, too, like try to switch to a certain key as you go up/down (without stopping), and countless other things like that.

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Tully



Joined: 11 Sep 2005
Posts: 170
Location: Woodinville, WA

PostPosted: Fri Oct 21, 2005 9:23 pm    Post subject: Reply with quote

The smilies are supposed to be b's for "flat," LOL.
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Gandalfe



Joined: 19 Sep 2005
Posts: 33
Location: Seattle, WA

PostPosted: Sat Oct 22, 2005 8:20 pm    Post subject: Reply with quote

Yeah, there's some bogus setting turning our posts into emoticon jibberish. I say spot on (s p o t ) and see what I get. Crying or Very sad
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CMelodyMan
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Joined: 22 May 2005
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PostPosted: Sat Oct 22, 2005 9:29 pm    Post subject: Reply with quote

Sorry Embarassed The reason for the problem is because the coding I made up wasn't very good. Embarassed I fixed the problem, though. Very Happy
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Altosaxophonerules



Joined: 25 Aug 2005
Posts: 130
Location: Canada

PostPosted: Sat Oct 22, 2005 10:00 pm    Post subject: Reply with quote

great, now we can finally talk with ease. Razz
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BariSax37



Joined: 24 Dec 2005
Posts: 70
Location: Warren MI

PostPosted: Sat Jan 28, 2006 10:45 pm    Post subject: Reply with quote

Ive never gotten the circle of fifths, I have just learned my major sclaes by practicing over and over again for weeks. Is it absolutely nesecary(bad at spelling lol) to learn it? and what does it do exactly?
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JPSaxMan
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PostPosted: Sat Jan 28, 2006 11:18 pm    Post subject: Reply with quote

It does help in transposition and when you're composing to figure out what key you're in 8-)
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Tully



Joined: 11 Sep 2005
Posts: 170
Location: Woodinville, WA

PostPosted: Sat Jan 28, 2006 11:19 pm    Post subject: Reply with quote

BariSax37 wrote:
Ive never gotten the circle of fifths, I have just learned my major sclaes by practicing over and over again for weeks. Is it absolutely nesecary(bad at spelling lol) to learn it? and what does it do exactly?


Knowing the scales is the most important part, but when you look at the circle, you'll see all sorts of patterns pertaining to the accidentals (flats and sharps). For example, shows why key signatures are the way they are. Moreover, putting scales and all the flats and sharps in that specific order is one of the fundamentals of Western tonal music. The circle of fifths is where the scales come from (although that's a gross oversimplification). You see all sorts of circle-based progressions and modulations in both jazz and classical music. Navigating these well when you improvise requires familiarity with the circle, as does composing anything worth listening to. Playing music without understanding something as basic as the circle of fifths is not unlike reading by memorizing the appearance of words, not learning each letter.

Frankly, I can't figure out why everyone makes such a big deal about learning it. It's really not hard; it just takes a little time (and probably not very much).
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