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Selmer Super Action 80vs. Selmer La Voix
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altosax4ever
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Joined: 23 Oct 2005
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Location: Dresden, Ohio

PostPosted: Wed Nov 02, 2005 7:46 pm    Post subject: Well... Reply with quote

It's fine if you don't like the selmer line, but let's not bash them, ok? A lot of people love selmers in this froum, and people will only get mad if you start calling them crap.

And why, in your opinion, is the selmer line not good? Just wondering how you got this opinion.

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reisio



Joined: 05 Oct 2005
Posts: 177
Location: Florida

PostPosted: Thu Nov 03, 2005 7:20 am    Post subject: Reply with quote

I love the Selmer line - they just messed up when they decided to jump away from the Mark VI design (a mistake they've clearly recognized and are trying to fix).
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JPSaxMan
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PostPosted: Thu Nov 03, 2005 7:32 am    Post subject: Reply with quote

Yea...

I always wondered how hard it could be to re-create the Mark VI. Take some measurements, add the same hand-crafted precision of the VI, and voila. What's so hard about that? Confused??:
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reisio



Joined: 05 Oct 2005
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Location: Florida

PostPosted: Thu Nov 03, 2005 9:10 am    Post subject: Reply with quote

It's quite simple...unless of course you've been promoting a different design for a quarter century and feel that you would most likely lose your job if you now told your superiors that this different design sucks in comparison to the old. :p
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Altosaxophonerules



Joined: 25 Aug 2005
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PostPosted: Thu Nov 03, 2005 7:13 pm    Post subject: Reply with quote

I actually think Selmer wanted to Re-create the Mark VI and make it even better with some modern designs.
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altosax4ever
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Joined: 23 Oct 2005
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Location: Dresden, Ohio

PostPosted: Thu Nov 03, 2005 8:36 pm    Post subject: Reply with quote

And they did a darn good job!

BTW, you say you loved the slemer line until they went away from the Mark VI. So you stopped loving selmer in what..the 70s? Shocked
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reisio



Joined: 05 Oct 2005
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PostPosted: Fri Nov 04, 2005 7:59 am    Post subject: Reply with quote

Hrmmm?
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altosax4ever
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PostPosted: Fri Nov 04, 2005 6:27 pm    Post subject: Reply with quote

Well, the Mark VI stopped being produced in 74, so you stopped loving Selmer 30 odd years ago?
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reisio



Joined: 05 Oct 2005
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PostPosted: Fri Nov 04, 2005 8:19 pm    Post subject: Reply with quote

I do not care much for Selmer saxes made inbetween Mark VIs and the Reference horns, no.
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GAS_Wyoming



Joined: 04 Jan 2006
Posts: 84
Location: Gillette, WY

PostPosted: Tue Feb 14, 2006 11:15 pm    Post subject: Reply with quote

Quote:
To me, they're just another in the long line of crap they got into when they decided to jump far from the Mark VI (with the notorious Mark VII). Only now with the Reference horns are they getting back to what most people knew as the right path.


Seems like I've read this just recently in another post Reisio.

NOW, back to the subject.
I have a Serie II alto and I love it. It was my first purchase from ebay and I got a good (maybe excellent) deal on it. Of all the altos I've played in my 44 years, this one plays more evenly throughout the 2 octaves than any other...by that, I mean that when I support the low C and take it up the scale I get a good even mezzo piano sound all the way up. It doesn't get brighter as it goes above G2 like some horns I've played. When I push it to forte I get the same forte all the way up. THEN, it starts getting a little brighter, but that's me, not the horn. If I'm conscious of it, then I can produce a very mellow C3 through the palm keys. But I usually want it brighter in these notes. I love it.

I played a LaVoix last weekend just for kicks...it was set up on a stand in the music store's window. This one was a black nickel tenor, so now I'm comparing a tenor to alto. However, I played a '75 Mark VII for about a year in high school (and I loved it), I have a 1965 Selmer/Bundy and a new P. Mauriat rolled tone hole tenor. Despite all that, here's my opinion comparing the 4 horns:
Selmer/Bundy - reasonable intonnation, good low end, bright above G2 (but can be tamed), hard to maintain volume through 2 octaves, but can be compensated
Selmer Paris VII - a very dark horn which had good intonation throughout the scales, but had a weird C# in the low end playing with a standard C*, the spatula was a little weirdly placed but I have big hands, so it wasn't a problem. Played very evenly, like my Serie II Very Happy
P. Mauriat - Great intonation, gets bigger with the same air stream as the notes go lower! This horn is easily tamed with my Geo. Bundy mpc and speaks easier than any horn I've ever played Shocked Razz
Selmer LaVoix - Brighter horn (but not as much as the Serie III), a little 'tin-y/metal' sounding, good but not excellent intonation, keywork is just like the Serie II, volume was harder to control, and this one wasn't very tight past D1. The dealer said he needed to adjust the horn, that he'd just got it out of the box the day before, and that he could make it seal well.

Of these, I prefer the P. Mauriat 66R, but I would put the Selmer II and III at a close 2nd and 3rd, respectively. The LaVoix is better in tune than my Bundy/Selmer, but would take a little getting used to!
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selmer4evr



Joined: 12 Feb 2006
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PostPosted: Sat Feb 25, 2006 2:58 am    Post subject: Reply with quote

I have owned and played many a sax from cigar cutter to a few markVIs to SA80s to Series IIs and I have tried some series IIIs but a VII is unique .

Let me tell you about a discussion with Londeix . The last time he came to Montreal for masterclasses I spoke with him on this particular subject. Unhappy with my Series II I asked him if he could pick out a horn for me the next time he was at Selmer Paris ( I studied with one of his prize students and I had good connections here). I had tried some of his horn picks ( for his students) and they are amazing. I also told him that I always preferred my VII to any horn I had ever tried and that i would like to get some VII features in a SERIE II .

He responded this way:

"All Selmers saxes from BAs to SBA, to VI, to SA80 to Ser II are all, in his words "beautiful mares". The MarkVII is more of a "thorough-bred stallion" wild temperamental and difficult to tame, but when you can tame and harness it,,,, nothing comes close.

Anyway I still love, own, and play MarkVIIs even though I try just about everything .

One more thing of interest ,,you have to know what you are doing when you pick a horn. All the horns he picked for his students were never liked at the beginning they were all too difficult to play and very resistant .
This was especially true of the VIIs, they showed their potential after six months or so !!!! My teacher's horn ( 1977 ) took one year to develop and lose its original resistance ,,I have tried to purchase it on many occasions no dice!!!! He plays classical to jazz and it works on everything. The horn slices through any section.

By the way I tell everybody that VIIs are not a good horn and to stay away!!! This keeps the price down and me happy,,So far i have owned 3 VIIs and I am constatly searching for the perfect VII and if only it would be silver!!!
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JPSaxMan
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PostPosted: Sat Feb 25, 2006 5:58 pm    Post subject: Reply with quote

And this has what to do with the Serie II OR the LaVoix USA? Confused
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